在(🔚)(zài )贝鲁
在(🔚)(zài )贝鲁特(🦅)(tè )一个街(🎍)(jiē )角的咖啡店二(🏘)楼，有一面(💬)大(dà )大的(♐)转(zhuǎn )角窗(⛴)和(hé(💘) )一台(🎰)电视机，一位78岁的退伍(wǔ )将(🐞)军和(hé )一(🎋)位81岁(suì )的(📑)退伍军医(🖌)每天早上(🏼)都会在(zài )这里碰(🎆)(pèng )面，看(kà(💣)n )着街角车(🛶)来人往，做(📊)(zuò )着填字(🐁)(zì )游戏，以此对(duì )抗阿茨海(⏩)默综合症(🚷)。伴随两(liǎ(🕔)ng )位老人(ré(🎙)n )的玩笑(xià(😝)o )和字谜，咖啡馆的(🙁)顾(gù )客纷(👢)纷(fēn )登场(🦂)。本片用(yò(🌗)ng )发生在一(🌧)个社会小角(jiǎo )落(🛐)16天之(zhī )内(📦)的一(yī )系(🐡)列事(shì )件(🥞)，四两拨千(🎍)斤地讨(tǎo )论了人(rén )生、政(🛷)(zhèng )治、历(🥍)史等话题(💨)；通过单(🐽)场(chǎng )景多(➗)幕(mù )剧的结(jié )构(🦕)让人感受(🏚)到老人们(🖊)的孤独(dú(🕎) )，以及(jí )疾(🏹)病带(dài )来的苦涩，同时映射(🥈)(shè )出黎巴(🏅)(bā )嫩暴力(💔)(lì )事件肆(📗)(sì )虐的现(⏯)状。以小见大(dà )，令(🛎)人(rén )回味(💧)。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
银行经(jī(💉)ng )理雅各布(🍣)(弗兰克·(✍)格(gé )里罗饰(shì ))的同事(shì )被(⛱)暴徒(tú )夺(🕡)去生命，而(🔁)他将和(hé(🤲) )警察(布(bù )鲁斯·威利斯(sī(✨) )饰)联手制(👤)服凶手。
When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
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